Friday Flash: Life, Death & the Space In Between

                                  (Pablo Picasso’s “Nude Woman in a Red Armchair”)

Lou is a girl. She paints angular ladies with red bee-stung lips, wild chocolate hair in the shape of Z’s  with cherry or lemon highlights. They dry on metal racks in the pantry and then they are carefully wrapped and stored in the coat closet.  They haunt her dream world, swaying their hips and laughing wildly. These things are Lou under the spell of starlight and anonymity.

In the sunlight Lou is pressed and varnished, placed at a sharp right angle in a square office.  

Gene is a boy. A dreamer. He smokes peyote and gets visits from dead poets and painters. Only they are not dead.  Somehow their space-time overlaps his.  Sometimes he has to help someone off the refrigerator or out of the bath tub. Mostly Cummings and Picasso. Apparently when two dimensions of space-time merge, there is no accuracy involved.

In the sunlight Gene wears tight shoes and stares out of a sky rise window, pretending to crunch the buildings between his teeth like popcorn.

 The space between Lou and Gene consists of a hallway and two doors. This space is breached when Gene collapses with an open, foamy mouth and a thump that pulls Lou from her dream world and then her warm bed.

 Lou stares at Gene lying there like a chalk outline, seeing him for the first time. She pulls her oversized bathrobe closed and leans down, two strong fingers searching pale skin for a pulse.  

Dead. Dead. Dead.

She wipes his mouth with a corner of her robe, touches his lips with a finger first and then her own lips. She presses softly against his flesh.

At another point in time, one that has obviously passed, this might have been pleasant.

She vaguely tries to remember if she’s supposed to blow or press first. Then she shrugs, stands and pushes on his door instead.

There are two men sitting there looking vaguely familiar and yet utterly alien in the paper-and-book-strewn apartment.

“He’s dead,” she informs them.

“I see,” they nod to each other.

“I’m alive, right?”

“Unbeing dead isn’t being alive.”

“Huh,” she pokes at her cheek with her tongue. “E. E. Cummings, is it?”

“Yes.”

“Okay then.” She unleashes the knot on her robe and lets it slide to the floor. “Show me how to live forever.”

“Come, sit,” Picasso pats the red armchair beside him.

Friday Flash: The Woman Who Rusted

Mona’s brain began to rust first. She would sneeze and spray solid bits of orange into her hand. She began to forget things like where she left her car, if she fed the cat, the fact that she no longer had a cat and, on a rainy Tuesday, she forgot to slip on her pants before walking out to the mailbox.

One day she sneezed and her teeth popped out onto her lap. She screamed, but then did remember she had dentures and this would sometimes happen when she forgot to buy denture cream. She would also need to buy skin lotion, she thought, as she scratched at a patch of brown scales on her arm.

“You should move to Yuma,” her doctor told her. “Low humidity. Will help delay the oxidation.”

“Oxidation?”

“Yes, rusting.”

Mona scratched at her flaking, cracked lips. “But, how?”

He shrugged. “These things happen.”

Yuma was all limitless sky, blue and more blue. Mona wondered what she was supposed to do with all this limitlessness. It only made her feel more small and insignificant.

 In a folding yard chair, she sat, rubbing lotion into her pits and cracks and waited. It took longer to fall apart under a Yuma sky, but she waited patiently.

Her bones became brittle. Her pitted heart groaned at the exertion of pumping and circulating. Her lungs stiffened. The scent of acid and iron swirled around her. She shooed away neighborhood kids as they tried to polish her, thinking they were desert squirrels. Her mind was the first to go.

The Yuma sky began to rust, too, right before it bruised and then was shot through with pinholes. Mona tried to touch the light shining through the pinholes. She couldn’t get her heavy hand to move.

A neighbor rested a washbowl in her lap, mumbling something about being useful to nature. Sparrows and mockingbirds soon came to dip their dusty beaks and feathers. Their beady eyes were curious but unafraid. She knew she had lost her humanity. She was now just a curiosity.

In the silence, only the sharp edge of forgetfulness remained.  She had forgotten to do something. But what?

Her last breath beneath the limitless blue was a soft sigh of relief.

Friday Flash: A Change of Heart

“Helen…”

It is only a whisper, but the room explodes into pandemonium. The word is a hurricane. It sweeps a nurse out the door, blows another out of the corner, clutching a chart and her chest.

He opens his eyes suddenly, memories caught between fog and pain.  There is a beep and a click in the sterilized space, the suddenly silent space…and then his mind explodes. Click BOOM!

He clutches his heart, his bearded mouth a cave full of unearthly groans and escalating screams. He watches them  in slow motion: Helen’s eyes crinkle at the corners as a mother-smile ignites, brightens her face. Emma bathes in the love; cooing, waving chubby fingers, bubbling at the world.

Rage bubbles now, builds, escapes from the cave and threatens to burst his eardrums. Beyond the nurses hands with straps and needles, he sees them. He sees Helen’s throat open up with the first bullet, then her chest. Crimson flowers bloom and splatter his shirt.  Her hand reaches for Emma as she falls backwards; falling, falling. “Emma!” Emma’s soft head blooms as he lifts himself from the chair, his heart shattering because he knows he is one second too late.

His next bout of awareness comes two days later. Men in suits and grim, sleep deprived faces file in to stare at him.

Questions begin slowly, carefully as if the words are probing his wounds. Do you know where you are? Do you remember anything from Friday, October 1st? Do you know your name?

His answer is a blank stare. His mind is simply white noise.

“That’s enough for now, Gentlemen,” a sympathetic voice breaks in.

“What is my name, please?”

The raspy voice startles the nurse checking his fluid bag. She trips backwards and then stoically pushes her fists into her pockets. “You don’t remember your name?”

“No.”

Sighing, she glances back at the door. “It’s David. David Farah.” Her arms now cross. “Ring a bell?”

“No.” He runs a shaky hand over the sore flesh under a thin gown. “What happened to me?”

“What happened to you?” Her eyes round, then blink at the ceiling. Her mouth tightens. “You were shot. The bullet damaged your cardiac valve and your heart wall. We had to do emergency surgery. You have a new heart, Mr. Farah.” She bows her head and leaves.  The men in suits file back in.

Now their eyes burn fiercely. Shock has crumbled under the weight of anger and injustice.

“So, names, Mr. Farah. We want names.” One of the angry men moves to stand over him. He smells like cloves and fear. “We know you weren’t acting alone in this. Thirty seven people died in that restaurant, you son of a bitch. Thirty seven people that included a…baby.” This last word is spit into his eye. Venom. He doesn’t blink because he is focusing on steadying the images and feelings rushing at him. An old fire, from another lifetime is nudging its way to the front. It is hate and faith and fear all rolled up into a singular, seething wound that is wearing the mask of a human soul. His silence is taken as being uncooperative. The angry man slams a hand down on his stitched up chest. The pain feeds the fire.

“They should have let you die. I would have let you die! The only reason they didn’t was because of god damned politics and lawsuits. They should have given you a pig’s heart you piece of shit.” One of the other suits pulls him away. Takes him outside.  

“You mentioned the name Helen.” The third man’s jaw twitches.

“My wife, isn’t she my wife? She’s dead, isn’t she? Oh…and Emma.”

His eyes narrow. He pinches his nose between his eyes then motions for the others to follow him out.  He comes back in alone, with a folder.

“Helen Brennan, along with her husband, Michael and their baby Emma were victims in the attack.” He folds his arms. “How were you acquainted? Was this a targeted attack on them?”

“I don’t understand,” he stutters. The line between lifetimes is blurring. The space that separates souls is disappearing. They stand facing each other as one. One body, two lifetimes. Grief swirls as a black storm within and around them.

Nurses, doctors and agents share the view, peering at the man signing his confession through the window, struggling with their own grief and confusion.

“Maybe we should tell him,” a nurse glances at an agent.

“Tell him what?”

“That he has Michael Brennan’s heart.”

“What good would that do?”

“Most people don’t know that the heart sends more signals to the brain than the brain sends to the heart. Some people believe our soul is in our heart.”

David Farah turns to the window full of faces, lifts his hand in a thumbs-up salute and plunges the pen deep into his new heart.

Friday Flash: Root Baby

 

She was dangling at the end of carrot leaves clutched in Jane’s fist, a tiny dirt baby. On her knees in the garden, Jane stared at the doll-like face covered in dark soil; halfway expecting it to inhale and start crying, while knowing this would be impossible. However, when wet bubbles began to form on the bottom lip, it rattled Jane to the core and she almost dropped the creature.  She fell back in the damp soil, still keeping tight grip on those carrot leaves. Opening her eyes, she confirmed she hadn’t gone insane. The baby was there, still swinging in the air.

“Impossible.”  Jane lowered her into the basket, on top of the three or four carrots she had already plucked from the soil. Removing her gloves, she wiped the soil from its eyelids. They fluttered at her touch. Then she brushed the dirt from its neck and chest. Its skin was almost translucent, tinged yellow in the sunlight; thin fibers on its arms and legs glistened as it became animated, opening and closing tiny fists, kicking tiny toes. Jane brushed back the leaves from its forehead, in awe.

Then, in a flurry of fear she crawled, plucking out row after row of carrots, imagining other root babies entombed in fertilized soil. But, thankfully, this was the only one. When Jane peeked back into the basket, the eyes were open. It was staring at her quietly with eyes the color of the sun.

“Marge? Hi, this is Jane. Listen, I have a problem.”

“Okay.”

Jane sat at the kitchen table, the root baby still in the basket of carrots, staring quietly back at her. The smell of damp soil permeated the air.

“You know how I was telling you this spring I couldn’t afford Pureorganics seeds?”

“Oh no, Jane, you didn’t buy that genetically modified crap did you?”

“Well…yes. I figured, well how bad could it be, really. Right?”

“So,” Marge sighed, “how bad is it?”

“It’s…it’s alive,” Jane whispered. “And staring at me. I don’t know what to do with her.”

There was a long silence.

“Do you need a recipe?”

“What!” Jane sat up in her chair. “No! I can’t…can’t eat her. She looks human!”

“So, what are you going to do? Raise her and send her off to college? Jane, listen, you grew her in your garden, for food. You plucked her out of the dirt, she…it, is obviously not human. So, what’s the problem?”

Jane was feeling frantic. “What’s the problem? She has eyes, tiny clear eyelashes, toes…”

“So do cows, so what?”

Jane had no answer.

“Look, you know Evan Rogers at Knoll Hill Market? If you really can’t eat it, he’ll buy it from you. Sylvia was telling me her brother got some bad GM seeds, ended up with some kind of fish turnips. They smelled awful, but Evan bought ‘em. He specializes in exotic meats.”

Jane felt bile rising in her throat. “I have to go.” She barely made it to the bathroom.

When she returned, the rootbaby had lost her glow, her skin was graying. Was she dying?

Jane frantically offered her milk, the last of her pureed potatoes, water. She refused everything silently.

 “What do you eat?”

She turned to the internet for answers. The few hits she got only gave cooking advice, not feeding advice.

Jane rushed her back out into the sunlight. Maybe her energy system was more plant like, she seemed to come alive when exposed to the sun before. In the sunlight, she could see tiny flakes and fissures on the rootbaby’s skin. So dry. She unwound the hose and trickled cool water across her belly and legs.

Her tiny mouth twitched. Was that a smile? The sunlight faded from her eyes and they closed. The animation left her.

Jane turned off the water, the rootbaby now bathed in her tears.

Jane knew she was supposed to call a disposal unit, but she also knew what they would do, the dissection, the tests. That would be worse than being eaten.

She scooped up the tiny body in her palm and held it gently to her chest as she walked back to the garden.

(photo credit: Jonathan Boeke)

Friday Flash: Breaking the Mold

                                                                      

When she was small, we created people out of cookie dough, Jell-O, stories, clay and mud. There were molds of almost every shape available: holiday gingerbread men, scarecrows, ghosts, Barbie. There was no mold for a little girl or a perfect mother. Those things have to be specially crafted, shaped by hand, cooked on low heat so there is no searing or melting involved.

She grows taller, breaks the mold. Becomes a sailor. The horizon is closer than you think, but you can’t convince a sailor because they know the world is round, life is a circle. They know the ride is sun-soaked, full of sea-winds whipping through the insignificant parts of the journey.  I will be back around some day, she says. I stay close, dipping my toes in the sea. Water is an excellent conductor, of energy and also of ideas. The idea that insignificance is a mirage, for instance. A silvery fish slips beneath my foot, a caress. It is enough. Drifting used to be enough for her, now she is steering.  An island where the waves lap at white sand glints close by. Another mirage? Only she can know. I am on a different shore.

Funny thing about little girls and perfect mothers. They are one in the same and yet neither. They are their own mirage, ideas of our own making. Ghosts shaped by matter. Shaped by each other’s dreams, shaped by bird songs, molds of words, ideas, wars and passion long gone, the whisper of fate. Shaped by hope that, like the potential flower curled up in the tiny seed, bursts forth to create and destroy its own container.

It’s a Sunday morning when the meaning of life occurs to her.  She is gray and lumpy from all the kneading, the twisting, the falls during her journey through space-time.  Eyes open wide, pupils dilate, laughter percolates, gains speed and force and rips the reigns from her bone thin fingers. The freedom startles her. She hears the white-crested-laughing-thrush in her own cry. She no longer cares why the caged bird sings. Or the free bird. She no longer cares why waves crest and foam, why the sun’s light is gentler from the moon, why the unpredictable nature of life is the only foundation worthy of a little girl or a perfect mother. It just is.  It just does.  And it is beautiful.

(photo credit: Marius Fiskum)

Friday Flash: An Angel Gets His Wings

  

    My name is Griffin. I’m eight years old and I’m an angel. No one believes me until I show them the wing knobs on my back. Then they look at me differently. They treat me special. I still remember the day mom told me. I was watching the bees on the clovers. I really love bees. Mom called me over, her eyes were watering from the bright sun and she hugged me so tight. She said I would always be her angel. I, of course, reminded her I was a boy and she got that funny smile and rubbed my back.

       “You feel these two bumps,” she said. “This is where your wings were. God had to remove them when He gave you to me so you wouldn’t fly off the earth.”

       A little while later my mom did fly off the earth. I guess she was an angel, too. I miss her lots still. I miss her smell. She smelled like clovers and wind. My new home smells like old socks and baby diapers. But it’s warm and I have new friends. Well, the boys aren’t very nice. They like to pinch and make red spots on my arms. I’m not sure why they think this is funny, but I laugh with them. Mom said I had to try hard to act like other kids so they didn’t take me away from her.

      I miss the bees, too. When I grow up I’m going to make bees out of glass. Glass the color of their honey and clear glass for their tiny wings. Miss Joan calls this daydreaming. She says its time for me to go into the real world. This is called school.

       The school bus picks us all up at the mailbox. I step into the bus but get stuck right there next to the big sweaty man driver. He is staring at me. “Get moving,” he says. But I can’t. The noise is a wall, I can’t think to move my feet. I wish the kids would stop being so loud all together. My mouth is stuck, too. I begin to cry and the sweaty man tells the girl behind him to move over and he nods. “Sit there.”  After that the boys call me Sniffin’ Griffin.

       We each have our own desk at school. Mine is cold and hard. Miss Gregory is my teacher. She stares at us through purple framed glasses and makes little sighing noises. I don’t think she’s happy. I want to make her happy. I try really hard. Only, I have never played the game Seven Up before so I don’t know to keep my head on the desk and she says I was cheating and I am now out of the game. Then she tells the kids to stop laughing, that it’s not funny and I’m glad she doesn’t think it’s funny either.

       At lunchtime Big Rob accidently spills cherry Jell-O in my hair. I’m allowed to go to the restroom and wash it out. It takes a long time to dry and so I don’t get to eat my own Jell-O. On the bus ride home, the girl keeps saying “gross” when my stomach makes noises. The boys start to hit me in the back of the head with their books. The driver yells. I feel frozen again. I think about my glass bees until it’s time to get off the bus.

       I am good with numbers. I make a chart to show how many days until Christmas. My mom used to say Christmas is a time for miracles. I’m asking for God to give me my wings back so I can go find my mom.

       Christmas morning I am waiting by the mailbox. I don’t know why the other kids are watching me in the window and laughing. They must think it’s funny they are going to miss the bus. My nose and fingers are numb. I make buzzing bee noises and this seems to warm me up. Then bells join in. Ding. Ding. I jump, surprised by how loud they are. Church bells, I think.

       I step out to hear them better. I don’t see the car.

       There is a loud screaming from the car and then no more church bells. No more noise. Just light. Light is burning my eyes, soaking me with heat like the hottest sun and then she is there. My mom, with that funny smile, is hugging me.  She smells like honey and heaven and slips her hand into mine and I feel my own wings lift me from the ground. Happiness fills me like a balloon because my wish has come true.

     This is the best Christmas ever.

Friday flash: Messenger of Death

    

        Eric fumbled with the buttons on the arm rest of the stolen Nissan. A blast of humid night air hit him. It smelled like charred beef.

      “Snow Bunny, can you hear me?” Adrenaline shot his voice up a few octaves.

       “Loud and clear, Earth Worm. What the hell happened?” She jumped off the bed and pressed her forehead against the hotel window, searching the Miami skyline as if she could find him.

       “You said there were no guards!” Glancing in the rear view mirror had become his latest tick as he navigated the short grid of turns toward the highway. “FYI, there were two freakin’ guards, Snow Bunny! Two!”

       “Shit.” Long bit of silence. “Sorry. But, you got out with the samples, right?”

       Eric slipped the cool-pack full of vials from his black canvas jacket, tossing them onto the seat beside him.

       “Affirmative.” Sarcasm and fear. He cranked up the air. “I think someone’s following me.”

       “Earth worm, listen to me.” Her voice was measured, painfully calm. “Eric…the hard part is over. Now you just have to get that evidence to the Sun’s reporter. He’s there waiting. Just keep driving, that’s all you have to do. You know how important this is. You’re the messenger; this has to get out to the public.”

       He wiped at his nose, checked the rear view mirror and jerked the wheel hard right, swerving over two lanes and jumping onto I-75 at the last minute. The suspected black van didn’t make it.

       “Yeah, the messenger of death.” And then louder, so she could hear him, “getting onto Alligator Alley now.”

       “Okay. Good. Anyone behind you?”

       “Negative. You know what they’ll do if they catch me, right?”

       “They won’t. Just drive. One hour and it’ll be out of your hands. We’re doing the right thing. They are monsters. And Eric…”

       “Yeah?”

       “Don’t let those vials break.”

       He cranked up the radio so he couldn’t hear the pounding in his chest or the blood rushing through his head.  It was almost three in the morning so traffic was light, but still, every time lights appeared behind him, he held his breath until they passed.

       The road was a long straight ribbon of blacktop cutting through the Everglades. Metal fencing bordering both sides of the highway flew by in intermitten flashes. He suddenly longed for a couple short months ago when all he had to worry about was passing his Chem. II final.  

       Ding ding. Eric moved his attention from the road to the dashboard. A tiny red light glared at him.

        “What the…?” His heart did a flip flop and almost stopped. “C..c..come in. Snow Bunny? Angela!”

       “What, what’s wrong? Are they behind you?”

       “I’m almost out of gas.” No response. “Did you hear me?”

      “You stole a car that was on empty?!”

       “I didn’t exactly have time to check.”

       “There are no gas stations on Alligator Alley.”

       “Oh god.”

       “Okay, go as far as you can and then…you’ll have to walk. I have to think.”

       Eric slowed the car down to 55 mph. He had heard this was the most gas efficient speed. Things were becoming very surreal and he was getting numb from the terror, feeling nothing but the sensation of a cold sweat.

       And then he heard it. The unmistakable thump thump thump of a chopper. He knew this was no coincidence. They were looking for him. The car began to putter. Slamming his hands on the steering wheel, he eased it off the road and brought it to rest close to the fence. He killed the lights.

       “Angela?” Static. “Angela!” Were they blocking the radio signal? Now he really did feel paranoid. He ripped off the headset and hid it under the seat. Maybe he could save her, at least. Let them think he was acting alone.

       As a spotlight from the helicopter came into view, sweeping back and forth like two wicked, alien eyes, his face became slick with tears. This was not going to end well for him.

       Grabbing the cool-pack, he opened the door and began to run. When he was out of breath, he said a little prayer and scaled the fence. The top part, being angled down, was a bit difficult, but he soon found himself crash landing with a thud in the tall grasses beside the waterway.

       The chopper was close now, but within a few minutes he heard something even more terrifying. Squealing tires, car doors…dogs. He collapsed against the fence. It was over. They would find him and make him disappear. After all this, he had failed.

        Two eyes, glowing the color of moonlight appeared in the dark waters before silently submerging again.

      He suddenly knew what he had to do. This had to make headlines one way or another. A few infected gators would do the trick. They couldn’t stop that in time to cover it up. He ripped open the cool pack with his teeth and one by one, unsealed the vials and drank them.    

       Fighting the blinding pain now coursing through him, Eric slid forward until his feet, then his legs and finally his arms were submerged in the warm, murky waters.

       He felt the gator only as a violent jerk on his leg, then a wicked roll into the darkness.

Friday Flash: The Word Eater

   brainscan

 

        The word ‘normal’ tastes like soured milk. My best friend, Anna, is coconut flavored. The machine they called a ‘SonicSite 4000′, which will prune my crossed neurons with pulses of sound, tastes like pea soup with too much pepper. The word strap tastes like cold molasses.

       “Won’t it be nice to read a book without all those pesky associations?”

       My eyes move to the vanilla crème nurse above me. Her voice is warm, but her fingertips are cold as she presses them into my scalp. Or is she pressing bits of metal onto my head? I don’t really want to know. The large, round donut machine they’re going to stick my head into is scary enough.

       Are they pesky? I don’t think so, but everyone else seems to. To me, they just are. As a square has four sides, the word book tastes like buttered toffee.

       “I don’t know,” I sigh. “If you couldn’t taste apple pie, would you still eat it?”

       She was light and thoughtful. “Well, I suppose not. Wouldn’t be worth the effort and hip expansion.”

       My doctor would have said, “Tasting an apple pie is normal, tasting a book is not.” Which is why I’m here. To become normal.

       The word sad tastes like black licorice.

       “You may feel a slight pressure on your scalp. How are you doing? Is the valium kicking in yet?”

       My face crinkles involuntarily.

       “Are you okay?”

       “Yes.” Valium is onion flavored. I wish they would just call it a pill. Tart grass, much nicer. I am trying to relax, doing breathing exercises, having faith in those who know better. Those who know what normal is.

       Faith. Tastes like perfume. Now I recall the one that really got me in trouble. The one where mom found out I wasn’t normal. The Lord’s Prayer. It tastes like raw bacon. I threw up on the children’s choir director in front of three hundred horrified church goers. 

       I hear the doctor’s soft shoes on the linoleum before I hear his voice.

       “Is our girl ready?”

       “Yes, Dr. Bryant.”

       “Dr. Bryant,” I repeat. I savor the taste of lemon cheesecake; let it linger on my tongue. A tear slips, slides down my neck. My legs begin to shake.

       I close my eyes and let go. 

 

 

 

 

 

 

 

 

Friday Flash: Her Migration

 monarch2

      “Are you going to tell me what’s wrong?”

       “It’s a ripped wing.”

       “No, not the damn butterfly, Gracie. You. What’s wrong with you.”

       A faint rustle in the shoe box moves Gracie’s attention from the computer screen. She peers in.  One burnt orange wing beats frantically against the side.

      “No, no, pretty girl. Shhhh,” she whispers into the box. Then to her husband, “You’ve startled her. She needs a calm environment.” She hums until its wings settle down into a slow, rhythmic pulse. It crawls onto the mushy pear she’s given it to eat. Satisfied, she goes back to the screen.

       Hal throws up his hands and leaves her.

       Dusk arrives behind the closed bedroom blinds. Gracie has amassed the needed supplies and begins the operation. Leaving the lights dim and Clair de Lune playing in the background, she pinches the wings together, lifts the creature from the box and pins her down on a towel with a looped wire hanger around her head, thorax and abdomen.

       “Comfy dear?” She carefully fans out the ripped forewing. “Don’t worry, this won’t hurt a bit. Scary, though. I know. You don’t know what’s happening, what I’m doing to your body. Sometimes I wonder if that’s better…ignorance.” Clipping a tiny rectangle from cardstock, she measures it against the tear, trims it a bit smaller. “There, that should do it.” With a toothpick, she carefully spreads adhesive on the makeshift bandage. While she waits for it to dry, she watches the tiny legs twitch, the antennae swim in the air.

       “Fascinating creature, you are. Filled with poison and yet fragile, fragile as the ones who come to eat you and die.” Gracie squeezes her eyes closed so as not to flood her patient. “Okay,” she wipes at her cheeks and straightens her back. “Ready for phase two.” 

        Making sure the black veins line up, she pinches the tiny rectangle with tweezers and positions it over the tear. This takes a few attempts and she has to hold her breath to keep her hand from shaking.

       “I believe you will survive,” she whispers. Her attention wanders to her own hand; skin as thin as the butterfly’s wing, puffy blue veins like ropes running its length. “Such a short journey. We must…,” she takes in a breath. “Yes! That’s it. You must finish your journey! No reason for you to sit around this house. Oh, but it’s probably too cold for you now.” She lifts the wire hanger and encourages the monarch to turn over. “Well, go on. They should work now.” The wings shutter once, sweep up and down. Once. Then twice. Then she is airborne.

       “Yes!” Gracie claps, gray eyes glistening. She watches the creature flutter around the room for a few minutes, landing on her pink rose bed spread. “Haldon!”

       Hal rushes into the room, one hand on his chest, wide eyes darting about.

       “What’s wrong?” Gracie asks, when she sees his face.

       “What’s wrong?” he drops his hand to his hip. “What do you mean what’s wrong? You’re the one who yelled for me.”

       “Oh,” She ignores his tone. Behind the anger is fear, she knows. She also knows it is better he doesn’t know exactly what he has to fear. Like the butterfly. Ignorance is a gift.

       “Will you drive me to that truck stop on Central Avenue?”

       “Plaza 23?”

       “Yeah, that’s the one.”

       His shoulders slump. He looks for a moment like he is going to ask her why, but then he just shakes his head. “Yes, Grace. If it will make you happy, I’ll drive you to the truck stop.”

       Three days later, she gets the call.

       “Hi, is this Miss Grace Adams?”

       “Yes.”

       “Hey, this is Mac Barnes…the truckdriver?” He pauses.  He can’t see the hope welling up in her swollen eyes, the Kleenex clutched to her mouth. “Well, I ah, just called to give you the good news.”

       Gracie exhales. Her lungs ache like she’s been holding her breath for three days.

      “She made it to Florida?”

       “Yep. Dropped her off in a place with lots of wild flowers near Ocala. I watched her fly off. She’s good. Should be able to migrate with the rest of ‘em. That’s something, huh?”

        “Oh, thank you, Mac. Thank you for giving her a ride.”

       “No problem. You take care now.”

       Gracie hangs up and looks over at her husband of thirty years. It’s time.  She can face it now. Now that she remembers how to hope for the impossible.

 “Hal,” she slips her hand into his and braces herself for the flood of his grief. She holds onto the image of the broken butterfly now hundreds of miles away, continuing on her journey. “Dr. Brennan has given me three months. It’s cancer.”

 (based on a true tale of butterfly heroes)

Friday Flash: How to Capture a Soul

   angel2  

        Tonight, I am afraid of myself. I am afraid I’m not strong enough to fight what’s coming. What has come for the past six years on All Hallows’ Eve.

       Dusk falls. My skin has gone slick and pale; nausea stalks me. At twenty-five I’ve learned no one wants to see me like this, so I am alone. The metamorphosis has become a private ritual. Pain should be private, shouldn’t it?

       I push the tip of a Virginia Slim into the candle flame. The smoke slides down my throat. The room spins. I don’t smoke. Except for this night when I begin to be less of myself and more of someone else.

       Dip, wipe, stroke. Painting my toe nails with a thick layer of Eggplant Frost has become part of the ritual, the unbecoming of me. Also the dark rum. Any other time of the year, I wouldn’t touch the stuff.

      Time strikes. It is nine p.m. My tiny, cold apartment smells like a brothel. I light another candle.

       Walking on my heels so I don’t disturb my toes, I carry my digital camera into the bathroom. One last drag on the Virginia Slim and I toss it into the toilet bowl to sizzle out.

       I’d like to hear some jazz.

       “I don’t like jazz.” I watch my hips sway in the mirror to some big band swing humming in my head.

        I know it’s best to just keep going, so I twist the stick of mulberry lipstick from its gold case, lean into the mirror awkwardly and apply. Smooth as velvet, bitter taste. I let my eyes meet their reflection in the mirror. This is always the startling part. I do not recognize the flecks of gold, the swimming sadness. “Gotcha,” I say. These parts recede quickly and I am there once again; grey orbs, ringed in dark blue with a strange mulberry mouth.

       I lift the camera as the music becomes more insistent. Thinking becomes movement in mud. I have lost time. There’s the cigarette floating in the toilet bowl. Click. My eggplant toes against cracked floor tile. Click.

       Why must you do that?

       “It’s what I do.” My voice is raw, husky from the late hour, the rum, the smoke. But I still recognize it as my own. Not the one I am answering, though. This one is foreign to me. A long line of mental health professionals have assured me I’m not schizophrenic. I’m just stressed, anxious. Apparently only on Halloween.

       “Oh no.” It’s coming. The part I hate. I feel T.S. Eliot’s hollow rumble of wings. Darkness descending, a crushing weight. It is swelling, seething hopelessness. I fall back against the towel rack and slide down the wall. Lift the camera. Point it down. Click.

       I’ve blown out my face with the flash, erased all the freckles, the etchings. I feel invisible and it is soothing.

       Set me free.

       “I don’t know how!”

       Sobbing echoes off the thin plaster walls, reverberates in the shower. My vocal chords. Her pain. I scratch and claw at my neck, my chest. Long, streaks of blood pool at the surface. I have hidden the sharp objects but now I realize I could tear myself apart with my bare hands. Just to escape. “Please,” I whimper, out of breath. “Leave me alone.”

       A sudden stillness within my head startles me. And then, she whispers:

       Okay. I will show you. Watch.

       A movie begins to play. She is dragging out my memories, sliding them into the cue.

       I am in graduate school. Photojournalist is what I want to call myself. Dreams, goals, hope. These things fill my thoughts like cotton candy. I am practicing with my new camera, dressed as a Hippie, snapping shots of trick-or-treaters in New York. I have wandered off from my group of friends, toward the park. There is an angel there on the bench, moonlight shining through transparent wings, sparkly silver halo glowing over a bowed head. The breeze is lifting the edges of her blond hair. I snap some shots from behind. The bench, the wings, the full moon. Click. Click. Gorgeous shots. I still remember being pleased with them.

       And then I sit up. “Oh,” I pull myself up to the mirror. “Was that you?” My eyes are full on brown and gold now. Her eyes. My head nods in answer. I rush from the bathroom, tripping over things in the darkness. I pull out box after box from the bedroom closet to find the ones from college. Tear the right one open. Black film canisters spill out, falling around me. I find the one labeled 10/31. The familiar smell of film fills my nose as I pull out the amber negatives and hold them uncoiling like a flattened snake. I hold them up to the bare closet light bulb and see her. Six shots. Slightly different angles.

       Set me free.

       I carry the film back to the bathroom, put it in the sink and throw a lit match on it. The fire eats a hole in the emulsion and the hole spreads slowly. I lift my head back to the mirror. She is watching me. Crying with my eyes.

       “How? Please tell me, before you go…how did I do this to you?”

       I can feel her slipping from me. The darkness lifting.

       Suicide.

       “Suicide?” And then I get it.

      Death.

      Click.

                                                                                                                                                          (photo credit: Nevit Dilmen)